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Published May 2010
An intimate profile of one of the most popular American singers of the 20th century, this first full-length biography of Karen Carpenter details every aspect of her life, from her modest Connecticut upbringing and her rise to stardom in southern California to the real story of her tragic, untimely death. This illuminating depiction of a 1970s icon covers her time as lead singer of the Carpenters—the top-selling American musical act of the decade—and provides insight into their string of 16 consecutive top-20 hits, including "Close to You," "We've Only Just Begun," "Top of the World," and "Superstar," as well as a critical review of her aborted solo career. A behind-the-scenes look into the life of a superstar, from the prolific recordings and the relentless touring to the awards, fame, and fortune, this history also chronicles her struggle with anorexia nervosa and gives important new details from her autopsy that shed new light on her death at age 32. Groups such as Sonic Youth and the Corrs and artists including k. d. lang and Madonna have cited Karen Carpenter among their major influences, and this definitive biography, based on exclusive interviews with nearly 100 of her friends and associates, is a testament to her brief yet remarkable life.
Published Jun 2013
In this book, 35 directors champion their favorite overlooked or critically savaged gems. Among these guilty pleasures, almost-masterpieces, and undeniable classics in need of revival are unsung noirs (Murder by Contract), famous flops (Can’t Stop the Music, Joe Versus the Volcano), art films (L’ange), theatrical adaptations (The Iceman Cometh), B-movies (Killer Klowns from Outer Space), and even a few Oscar-winners (Some Came Running).
In these conversations, the filmmakers defend their choices. These films, they argue, deserve a larger audience and for their place in movie history to be reconsidered. But the conversations’ tangents, diversions, and side trips provide as much insight into the directors’ own approach to moviemaking as into the film they’re discussing. The filmmakers are the perfect hosts, often setting the tone, managing expectations, and giving advice about how you should watch each movie. They’re often brutally honest about a film’s shortcomings or the reasons why it was lost in the first place.
The Best Film You’ve Never Seen is not only a guide to some badly overlooked movies but a bold attempt to rewrite film history.
Published Jan 2011
The movie that inspired filmmakers to direct is like the atomic bomb that went off before their eyes. The Film That Changed My Life captures that epiphany. It explores 30 directors’ love of a film they saw at a particularly formative moment, how it influenced their own works, and how it made them think differently.
Rebel Without a Cause inspired John Woo to comb his hair and talk like James Dean. For Richard Linklater, “something was simmering in me, but Raging Bull brought it to a boil.” Apocalypse Now inspired Danny Boyle to make larger-than-life films. A single line from The Wizard of Oz--“Who could ever have thought a good little girl like you could destroy all my beautiful wickedness?”--had a direct impact on John Waters. “That line inspired my life,” Waters says. “I sometimes say it to myself before I go to sleep, like a prayer.”
In this volume, directors as diverse as John Woo, Peter Bogdanovich, Michel Gondry, and Kevin Smith examine classic movies that inspired them to tell stories. Here are 30 inspired and inspiring discussions of classic films that shaped the careers of today’s directors and, in turn, cinema history.
Published Sep 2010
Charlie Chaplin. Buster Keaton. The Marx Brothers. Billy Wilder. Woody Allen. The Coen brothers. Where would the American film be without them? Yet the cinematic genre these artists represent--comedy--has perennially received short shrift from critics, film buffs, and the Academy Awards.
Saul Austerlitz’s Another Fine Mess is an attempt to right that wrong. Running the gamut of film history from City Lights to Knocked Up, Another Fine Mess retells the story of American film from the perspective of its unwanted stepbrother--the comedy. In 30 long chapters and 100 shorter entries, each devoted primarily to a single performer or director, Another Fine Mess retraces the steps of the American comedy film, filling in the gaps and following the connections that link Mae West to Doris Day, or W. C. Fields to Will Ferrell. The first book of its kind in more than a generation, Another Fine Mess is an eye-opening, entertaining, and enlightening tour of the American comedy, encompassing the masterpieces, the box-office smashes, and all the little-known gems in between.
Published Sep 2013
While the Three Stooges were the longest-active and most productive comedy team in Hollywood, their artistic height coincided with the years Curly was with them, from 1932 to 1946. To their fans, Curly stands out as the zaniest of the three. Famous for his high-pitched voice, his “n’yuk-n’yuk-n’yuk” and “why, soitenly,” and his astonishing athleticism, Curly was a true natural, an untrained actor with a knack for improvisation. Yet for decades, little was known about his personal life.
Then, in 1985, Joan Howard Maurer, Curly’s niece, published this definitive biography.
When she first set out to write the book, there was almost no biographical information available about Curly. So she spoke at length to his relatives, friends, and colleagues. She amassed a wealth of Curly memorabilia, a mixture of written material and rare photographs of Curly’s family, films, and personal life. In Curly: An Illustrated Biography of the Superstooge, she put it all together to come up with the first and only in-depth look at this crazy comedic genius. She included plenty of intimate details about his astonishing relationship with his mother, his marriages, and his interactions with his daughters and friends.
Despite its excellence as a well-rounded portrait of the most unpredictable—and most popular—Stooge, Curly has long been out of print. This new edition of a timeless classic, now updated with previously unpublished facts, is sure to be appreciated by Three Stooges fans new and old.
Published May 2012
When Alan Greenberg first showed up at Werner Herzog’s Munich home at age twenty-four, he was, according to the director, the first outsider to seek him and recognize his greatness. At the end of their first evening together, Herzog urged Greenberg to work with him on his film Heart of Glass—and everything thereafter. He clinched his plea by assuring the young American, “On the outside we’ll look like gangsters, but on the inside we’ll wear the gowns of priests.”
Every Night the Trees Disappear is an intimate chronicle of how this visionary filmmaker directed a masterwork. Greenberg’s observations, interwoven with Herzog’s original screenplay, elucidate just how unusual Herzog’s filmmaking methods could be. By hypnotizing his actors before shooting each scene, Herzog led his crew into a veritable cinematic netherworld, resulting in one of the most haunting movies ever made.
Rather than a conventional, journalistic account of how a director makes a movie, Every Night the Trees Disappear instead presents a unique vision with the feel of a novel—intimate, penetrating, and filled with mystery.