Titles by Yuval Taylor

One of the greatest African American leaders and one of the most brilliant minds of his time, Frederick Douglass spoke and wrote with unsurpassed eloquence on almost all the major issues confronting the American people during his life—from the abolition of slavery to women’s rights, from the Civil War to lynching, from American patriotism to black nationalism. Between 1950 and 1975, Philip S. Foner collected the most important of Douglass’s hundreds of speeches, letters, articles, and editorials into an impressive five-volume set, now long out of print. Abridged and condensed into one volume, and supplemented with several important texts that Foner did not include, Frederick Douglass: Selected Speeches and Writings presents the most significant, insightful, and elegant short works of Douglass’s massive oeuvre.

Ten slaves—all under the age of 19—tell their stories of enslavement, brutality, and dreams of freedom in this collection. Culled from full-length autobiographies, these accounts were selected to help teenagers relate to the horrific experiences of slaves their own age in the not-so-distant past. Included are stories of young slaves, all under the age of 19, torn from their mothers and families, suffering from starvation, and being whipped and tortured. But these are not all tales of deprivation and violence. Teenagers will see themselves in these accounts as the slaves challenge authority, play games, tell jokes, and fall in love. These stories cover the range of the slave experience, from the passage in slave ships across the Atlantic to daily life as a slave both on large plantations and in small city dwellings, and from escaping slavery to fighting in the Civil War. The writings of Olaudah Equiano, Frederick Douglass, William Wells Brown, Harriet Jacobs, Elizabeth Keckley, and other less famous slaves are included.

Between 1760 and 1902, more than 200 book-length autobiographies of ex-slaves were published; together they form the basis for all subsequent African American literature. I Was Born a Slave collects the 20 most significant “slave narratives.” They describe whippings, torture, starvation, resistance, and hairbreadth escapes; slave auctions, kidnappings, and murders; sexual abuse, religious confusion, the struggle of learning to read and write; and the triumphs and difficulties of life as free men and women. Many of the narratives—such as those of Frederick Douglass and Harriet Jacobs—have achieved reputations as masterpieces; but some of the lesser-known narratives are equally brilliant. This unprecedented anthology presents them unabridged, providing each one with helpful introductions and annotations, to form the most comprehensive volume ever assembled on the lives and writings of the slaves.

Volume one (1770–1849) includes the narratives of James Albert Ukawsaw Gronniosaw, Olaudah Equiano (Gustavus Vassa), William Grimes, Nat Turner, Charles Ball, Moses Roper, Frederick Douglass, Lewis and Milton Clarke, William Wells Brown, and Josiah Henson.

Between 1760 and 1902, more than 200 book-length autobiographies of ex-slaves were published; together they form the basis for all subsequent African American literature. I Was Born a Slave collects the 20 most significant “slave narratives.” They describe whippings, torture, starvation, resistance, and hairbreadth escapes; slave auctions, kidnappings, and murders; sexual abuse, religious confusion, the struggle of learning to read and write; and the triumphs and difficulties of life as free men and women. Many of the narratives—such as those of Frederick Douglass and Harriet Jacobs—have achieved reputations as masterpieces; but some of the lesser-known narratives are equally brilliant. This unprecedented anthology presents them unabridged, providing each one with helpful introductions and annotations, to form the most comprehensive volume ever assembled on the lives and writings of the slaves.

Volume two (1849–1866) includes the narratives of Henry Bibb, James W. C. Pennington, Solomon Northup, John Brown, John Thompson, William and Ellen Craft, Harriet Jacobs (Linda Brent), Jacob D. Green, James Mars, and William Parker.

The popularity of cartoon music, from Carl Stalling’s work for Warner Bros. to Disney sound tracks and The Simpsons’ song parodies, has never been greater. This lively and fascinating look at cartoon music’s past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for Rugrats, Alf Clausen about composing for The Simpsons, Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott’s work, Will Friedwald about Casper the Friendly Ghost, Richard Stone about his music for Animaniacs, Joseph Lanza about Ren and Stimpy, and much, much more.