Titles by Arkady Strugatsky

Don Rumata has been sent from Earth to the medieval kingdom of Arkanar with instructions to observe and to save what he can. Masquerading as an arrogant nobleman, a dueler, and a brawler, he is never defeated, but yet he can never kill. With his doubt and compassion, and his deep love for a local girl named Kira, Rumata wants to save the kingdom from the machinations of Don Reba, the first minister to the king. But given his orders, what role can he play? This long overdue translation will reintroduce one of the most profound Soviet-era novels to an eager audience.

Never before translated into English, Lame Fate is the first-person account of middle-aged author Felix Sorokin. When the Soviet Writers' Union asks him to submit a writing sample to a newfangled machine that can supposedly evaluate the "objective value" of any literary work, he faces a dilemma. Should he present something establishment-approved but middling, or risk sharing his unpublished masterpiece, which has languished in his desk drawer for years? Sorokin's masterwork is Ugly Swans, previously published in English as a standalone work but presented here in an authoritative new translation. Ugly Swans chronicles the travails of disgraced literary celebrity Victor Banev, who returns to his provincial hometown to find it haunted by the mysterious clammies—black-masked men residing in a former leper colony. Possessing supernatural talents, including the ability to control the weather, the clammies terrify the town's adult population but enthrall its teenagers, including Banev's daughter Irma. Together, Lame Fate and Ugly Swans illuminate some of the Strugatskys' favorite themes—the (im)possibility of political progress, the role of the individual in society, the nature of honor and courage, and the enduring value of art—in consummately entertaining fashion.

Sasha, a young computer programmer from Leningrad, is driving north to meet some friends for a nature vacation. He picks up a couple of hitchhikers, who persuade him to take a job at the National Institute for the Technology of Witchcraft and Thaumaturgy. The adventures Sasha has in the largely dysfunctional institute involve all sorts of magical beings—a wish-granting fish, a tree mermaid, a cat who can remember only the beginnings of stories, a dream-interpreting sofa, a motorcycle that can zoom into the imagined future, a lazy dog-size mosquito—along with a variety of wizards (including Merlin), vampires, and officers. First published in Russia in 1965, Monday Starts on Saturday has become the most popular Strugatsky novel in their homeland. Like the works of Gogol and Kafka, it tackles the nature of institutions—here focusing on one devoted to discovering and perfecting human happiness. By turns wildly imaginative, hilarious, and disturbing, Monday Starts on Saturday is a comic masterpiece by two of the world's greatest science-fiction writers.  

Red Schuhart is a stalker, a young rebel who is compelled, despite extreme danger, to venture illegally into the Zone to collect mysterious alien artifacts. His life is dominated by the place and the thriving black market in alien products. But when he and his friend Kirill go into the Zone together, something goes terribly wrong. The news Red receives from his girlfriend upon his return makes it inevitable that he'll keep going back to the Zone, again and again, until he finds the answer to all his problems. Back in print after 30 years, this brand new translation of a science-fiction classic has been supplemented with a foreword by Ursula K. Le Guin and a new afterword by Boris Strugatsky that explains the strange history of its original publication in Russia.

<strong>Today, Russian authors Arkady and Boris Strugatsky are counted among the best science fiction writers of the twentieth century. </strong><br />In their Noon Universe novels, they imagined twenty-second-century Earth as a space-faring communist utopia, devoted to guiding the progress of civilization on alien worlds. But as the authors became increasingly disillusioned with life in the Soviet Union, their Noon Universe stories grew darker and more complex as well.<br /><em>The Beetle in the Anthill</em> reintroduces Maxim Kammerer, the main character of their novel <em>The Inhabited Island</em>. Once an intrepid young space explorer, Kammerer is now an investigator with COMCON-2, the covert agency in charge of countering threats to the homeworld. He is tasked with tracking “progressor” Lev Abalkin, who has returned to Earth after a routine mission went tragically wrong. Do the secrets of Abalkin’s past pose a grave danger to humanity—or is he an innocent caught up in a deadly misunderstanding?<br /><strong>This new edition by lauded translator Olena Bormashenko joins updated translations of <em>Hard to Be a God</em>, <em>The Inhabited Island</em>, and <em>The Waves Extinguish the Wind</em> to continue the ever-deepening saga of the Noon Universe.</strong>

<div>Arkady and Boris Strugatsky are widely considered the greatest of Russian science fiction masters, and their most famous work, <em>Roadside Picnic</em>, has enjoyed great popularity worldwide. Yet the novel that was their own favorite, and that readers worldwide have acclaimed as their magnum opus, has never before been published in English. <em>The Doomed City </em>was so politically risky that the Strugatsky brothers kept its existence a complete secret even from their best friends for sixteen years after its completion in 1972. It was only published in Russia in the late 1980s, the last of their works to see publication. It was translated into a host of major European languages, and now appears in English in a major new translation by acclaimed translator Andrew Bromfield. <em>The Doomed City </em>is set in an experimental city bordered by an abyss on one side and an impossibly high wall on the other. Its sole inhabitants are people who were plucked from Earth&#39;s history and left to govern themselves under conditions established by Mentors whose purpose seems inscrutable. Andrei Voronin, a young astronomer plucked from Leningrad in the 1950s, is a diehard believer in the Experiment, even though he&#39;s now a garbage collector. And as increasingly nightmarish scenarios begin to affect the city, he rises through the political hierarchy, with devastating effect.</div><div style="BORDER-TOP-COLOR: ; BORDER-LEFT-COLOR: ; BORDER-BOTTOM-COLOR: ; BORDER-RIGHT-COLOR: "> <br /> <br /> </div>

When Maxim, a space explorer from Earth, accidentally discovers a planet inhabited by humanoids who destroy his spaceship, he thinks of himself as a modern-day Robinson Crusoe. But after his experiences in the planet's nightmarish military and mental health facilities, he begins to realize that his sojourn on this radioactive and war-scarred world will not be a walk in the park. The Inhabited Island is one of the Strugatsky brothers' most popular and acclaimed novels, yet the only previous English-language edition was based on a heavily censored version. Now, in a sparkling new translation by award-winning translator Andrew Bromfield, this landmark novel can be newly appreciated by both longtime Strugatsky fans and new explorers of the Russian science fiction masters' astonishingly rich oeuvre.

The Snail on the Slope takes place in two worlds. One is the Administration, an institution run by a surreal, Kafkaesque bureaucracy whose aim is to govern the forest below. The other is the Forest, a place of fear, weird creatures, primitive people and violence. Peretz, who works at the Administration, wants to visit the Forest. Candide crashed in the Forest years ago and wants to return to the Administration. Their journeys are surprising and strange, and readers are left to puzzle out the mysteries of these foreign environments. The Strugatskys themselves called The Snail on the Slope "the most complete and important" of their works.

<strong>Today, Russian authors Arkady and Boris Strugatsky are counted among the best science fiction writers of the twentieth century. </strong><br />In their Noon Universe novels, they imagined twenty-second-century Earth as a space-faring communist utopia, devoted to guiding the progress of civilization on alien worlds. But as the authors became increasingly disillusioned with life in the Soviet Union, their Noon Universe stories grew darker and more complex as well.<br /><em>The Waves Extinguish the Wind</em> provides the epic conclusion to the Noon Universe saga, as eighty-nine-year-old Maxim Kammerer looks back at his most earth-shattering investigation, which brought an entire era of human civilization to an end. Searching for evidence that the mysterious alien Wanderers were interfering in Earth’s development, Kammerer and his young trainee Toivo Glumov discovered a deeper and more disturbing secret within humanity itself.<br /><strong>This new translation by Daniels Umanovskis joins updated editions of <em>Hard to Be a God</em>, <em>The Inhabited Island</em>, and <em>The Beetle in the Anthill</em> to bring the saga of the Noon Universe to its fitting end: a search for truth and answers in a universe that provides only questions.</strong>