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Austerlitz, SaulAusterlitz, Saul | Alt 1
Austerlitz, SaulAusterlitz, Saul | Alt 1

Saul Austerlitz

Saul Austerlitz is a writer. His work has been published in numerous publications, including the Boston Globe, the Los Angeles Times, the New York Times, and Slate. He is the author of Money for Nothing: A History of the Music Video from the Beatles to the White Stripes.
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4/14/2014 - Sitcom Paste
4/1/2014 - Sitcom LARB
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Titles by Saul Austerlitz

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Titles Found: 2
Another Fine Mess
Another Fine Mess (4 Formats) ›
By Saul Austerlitz
Trade Paper Price 24.95

Trade Paper, PDF, EPUB, Mobipocket

Published Sep 2010

From City Lights to Knocked Up, this history examines American film from the perspective of its unwanted stepbrother, the comedy, and puts the comic titans of the present in the context of their predecessors. The 30 chapters and 100 essays follow the connections that link Mae West to Marilyn Monroe and W. C. Fields to Will Ferrell. Offering unvarnished insight into comedians and directors such as Buster Keaton, Christopher Guest, Eddie Murphy, and Ben Stiller, this eye-opening, entertaining, and enlightening tour encompasses the masterpieces, the box-office smashes, and all the little-known gems in between. Laurel and Hardy, Marilyn Monroe, Peter Sellers, Mel Brooks, Richard Pryor, Steve Martin, and the Coen Brothers are among others profiled, while a list of the top-100 American film comedies is also included.

Sitcom
Sitcom (4 Formats) ›
By Saul Austerlitz
Trade Paper Price 22.99

Trade Paper, PDF, EPUB, Mobipocket

Published Mar 2014

A carefully curated tour through TV comedy series, this mixtape of fondly remembered shows surveys the genealogy of the form, the larger trends in its history, the best of what the genre has accomplished, and the most standard of its works. From I Love Lucy, The Phil Silvers Show, and M*A*S*H to Taxi, The Larry Sanders Show, and 30 Rock, this guide presents the sitcom as a capsule version of the 20th-century arts—realism giving way to modernism and then to postmodernism, all between the hours of 8 and 10pm on weeknights. Each chapter springs from an individual representative entity, including The Simpsons’ “22 Short Films About Springfield,” The Mary Tyler Moore Show’s “Chuckles Bites the Dust,” Seinfeld’s “The Pitch,” and Freaks and Geeks’ “Dead Dogs and Gym Teachers,” where Martin Starr’s nerdy Bill takes comfort in—what else—the pleasures of laughing at TV.